Posts Tagged ‘classical’
Violin Concertos
August 19th, 2010
Ludwig Van Beethoven is widely regarded as the most original, intense and technical classical composers of all time. The strange fact that, unlike Beethoven's contemporaries that he was deaf for a long time until his untimely death.
Beethoven's deafness been gradual because of a fever. Beginning to show major symptoms of twenty years and finally lost his hearing in more than thirty years. This disability is directly related to their profession, passion and love for music as art. He had a terrible effect on his life and times cited in his letter to his brother. "But what I feel humiliated when someone close to me, I hear the distant sound of a flute, and hear nothing, and when someone hears the song of a shepherd, and I hear nothing! "Shocked by the despair, the German captain had even thought suicide but decided to continue composing.
He took lessons from the great Mozart and Joseph Haydn and performed in his own concert at the beginning the 17th century. Later, because of their hearing loss and who has not acted on the piano, but his creativity and writing do not impede and, in fact, finally. He wrote nine symphonies during 1800-1824 and the state of perfection widely acclaimed. His latest works are five piano, violin, music voice and opera, including the oratorios. Erocia his Third Symphony was written when he was completely deaf. Although it is widely regarded as a classic, Eroica reflects the complexity of the Romantic era of music.
Their diversity and talent can still be expected at the time of his imagination has created masterpieces he called a genius. He extended the duration of the symphony and piano concerto, increasing the number of strokes in the chain and the addition of instruments like trombone bassoon, piccolo and orchestra, but gives an incredible depth and breadth corresponding. His compositions for piano bold elevated the status of instrument was then a relatively new instrument (invented in 1710). His most and driving are famous Eroica (3rd), fifth, Pastrol (6th) and Coral (9th) symphonies and piano concertos in the fourth and fifth.
It is surprising that these compositions invincible never ever heard by the master himself. When tempos are used to provide the driver during the procedure that never again hear the ovation. The choir used to turn his chair into the crowd to know what a dramatic compositions response used to attract crowds.
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What are some lovely solo violin / concert?
I want to know what some of the solo violin the most beautiful and / or concert pieces are there.
The "large" are definitely the concert of Beethoven, Mendelssohn, Brahms, Tchaikovsky, Vivaldi and four concert seasons. You must listen all in their entirety, but is a little more at first, so here is how it started: in E minor Mendelssohn: home w / first movement (perhaps part time more beautiful violin) Brahms: The second movement is beautiful, it's slow and delicate, and the third movement is intensely bright Tchaikovsky: The main theme of the first movement is very famous and beautiful, the second movement is dark obsession Vivaldi: The four seasons are very short, is not all, but I would start w / spring and summer first third mvt mvt Beethoven: It has to grow on you, the third movement (clear live) is probably the best known of the second movement of Bach's E major and the third and first movements of his concerts for children are good, they have more than one Baroque dance atmosphere. Some works not with the violin concerto leading Beethoven's two Romances should for violin and orchestra (in G major and F major), are soft and very famous, and also Pas de Deux from The Nutcracker (very lush and soft play, is very famous.) Also, try on a Bach Air G-string and Albinoni's Adagio (not alone, but they are beautiful, the air is sweet, the adage is a very tragic) There are many more (Prokofiev, Vivaldi concerts more ...), but they are real gems. Hope this helps!
A. Suwanai plays Paganini Violin Concerto No.1 (1 of 5)
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Violin Concerto
August 14th, 2010
In any art form is expressed, whether by writing, dancing or playing musical instruments, often, there are certain factors that determine the quality of the resulting expression of art. Art, being primarily an expression of artistic talent of a person, not necessarily limited to be classified as "beautiful" or "ugly" that experience is relative to the observer. There are, however, adhere to certain rules to determine the value of an art that is expressed. There is a general consensus of what people find pleasing to the eye or hearing, and, therefore, considered as general "good." For example, there are certain expectations about the violin technique is used to read some types of music.
aspiring players study the techniques of violin violin teachers themselves, hoping they can pick a particular method play that can emulate and thus produce the best music of his violin, or at least avoid the mistakes that are commonly used by amateurs. Those looking to play the violin best can stand to improve their art, just make sure to consider things very simple. These considerations may seem very simple and basic, but if you look and improved, could be very beneficial for them.
Instrument Quality
Needless say that all is not equal, so that certain brands are able to charge exorbitant largely for their products, while other brands that sell to roughly the same product may be available for much cheaper price. Although the quality of instruments is not always directly proportional to the price tag placed on the instrument, is a common phenomenon that usually what you pay for. There are many manufacturers who sell violins violin decent prices very good, and they may be sufficient for the purpose of learning and play. Try to avoid buying really cheap because the sound produced by these cheap violins may well reflect the amount you paid for it.
Violin Technique
It is not uncommon to see great music, and even self-learning students to acquire music CD of classics, especially in efforts to imitate the techniques of violin and play better, or at least does not look like you should just quit playing the violin. Master techniques the violin is very important for the simple reason that gives an advantage to use them. In many cases, especially when an audition for a part of an orchestra or a band, any edge is a great help to get the coveted post.
Place
It is a known fact that the acoustics plays a huge role in the projection of sound quality. Regardless of the quality of tools and talent is used AP playing instruments, if the place happens to have a terrible noise, then the sound will reverberate throughout the area also be of poor quality. A bad place is a something that even the most expensive violin in the world or the best techniques, you can fiddle more, it is very important to take into account the area in which the instrument is played.
Are you looking for a way to improve your violin techniques? Visit http://ViolinLessonsOnVideo.com to find out how you can get access to hundreds of violin exercises at less than the cost of one in-home violin lesson.
What I want to play concert after the game if I Haydn Violin Concerto in G major?
Think of the violin concerto in E minor Mendelssohn.
Tchaikovsky - violin concerto - Allegro moderato part I
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Piano Works
August 13th, 2010
A brief history of the piano
If you plan to take piano lessons - or if you take - is a good idea to learn something about musical tradition that will participate. After all, the choice of anyone to play the piano is made in a vacuum. No, we have decided to learn the instrument because of its special qualities and unique musical history.
Unlike children to play the piano, whose lessons are often urged to do if the adult players by parents, Piano wish I had as much knowledge as possible of our instrument. This knowledge not only improves the gaming experience, but also motivates us to play with care and respect for our piano teachers. This is true both for those who read music and play by ear.
Most players are aware of the piano that the modern name of the instrument is actually a shortened version of his original name, "piano", which is a compound Italian words for "soft" and "strong." This name was given to the instrument again to omit him out of his instrument, the harpsichord, the volume range is much less flexible than the piano.
While earlier instruments such as harpsichord generate sound by hitting the strings, piano was the first instrument to generate sounds when able to reach the strings. Invented in 1700 by Bartolomeo Cristofori, instrument maker from Padua The revolutionary mechanism of the piano with hammers returning to their normal position immediately after the strike, has a greater degree of control and nuances than previous instruments.
Rightly, the second generation of pianos - which came shortly after Cristofori and his supporters "of innovative developments - commonly called "Mozart" was piano. Mozart, whose job was both the culmination and embodiment the music during the second half of the 18th century, was an extremely popular, even in his time. His decision to play, compose for and perform on the piano, has done more to popularize the instrument than any other person has. Like most of his works, large and small, popular and darkness, were composed and published for the piano, Mozart's music has always been a major selling point for the instrument.
When Mozart died in 1791, the industrial revolution began to take root in Europe, radically transform all aspects of life, including including music and the arts. In early 1800, technological advances have allowed the piano to move almost entirely in the modern instrument that we play today.
Technological advances steel cable and iron piano frame arrived just in time for use in works by Beethoven. Some music historians have even suggested that his impressive musical genius of Beethoven final simply not been possible earlier in the composer's life. It is thanks to changes in the piano, the instrument Beethoven loved above all others.
In the late 1800s, the piano was almost fully developed in the instrument that we have now. It composers piano works because romantic and modernist as Chopin, Brahms, Tchaikovsky, Debussy, Stravinsky and sound as if they could have been written today. In addition, thanks to unprecedented power and scope of the instrument, and piano works of Beethoven and other innovative, these composers were able to extend the instrument beyond its first directory, the major influence. In summary, the wide range of music 20th century - from traditional compositions, experimental orchestral music, jazz, blues and rock - would not have been possible without the piano.
And here we are today, proudly carrying the tradition of the piano in the 21st century. As you know, The piano is now commonplace in American homes of the middle class. Many children grow up hearing their parents play, and many pianists themselves become an early age. In addition, as scientific studies continue to show the benefits of music throughout life, recent years have seen an increase in music adults. Because of its beauty, simplicity, versatility, and his long and varied history, the piano is the best option for adult musicians to develop.
About the Author
Duane Shinn is the author of the popular course on playing piano using chords along with the ear titled
"How To Play Piano By Ear!"
How do I get free piano sheet music really works?
For the music is copyrighted, you can not. It is unlawful for sharing / downloading copyrighted free sheet music!
#7 Grand Piano Tutorial; The Piano and how it works.
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Orchestral Works
July 23rd, 2010
Edgar Degas' career was long - about 60 out of 83 total. And his style, unlike the most famous artists who worked in his old age, never left development, always seeking new ways of expression and technique.The art dealer Ambroise Vollard one day, I asked why he never married, and she said he lived in constant fear that when completed a new painting, I heard my wife say, "It's so beautiful what you've got there! . Indeed, despite its almost universal recognition and popularity of his images, was never a classic sense of beauty that attracts talent.
Hilaire Germain Edgar de Gas (It was only later that he began to sign his works "Degas) was born in Paris, the eldest of three boys and two girls born to a wealthy banker and his wife Neapolitan family Creole New Orleans. It was actually named after his grandfather - Hilaire Degas, a banker from Naples, Germain Musson, a trader New Orleans. However, his mother died when he was 13 years.
He was educated at the Lycee Louis-le-Grand, a famous school of the elite, where he received a classical education and also met their friends for a long Rouart Henry Paul Valpincon and Ludovic Halevy. Having received his BA in 1853, he enrolled in law school, although he prefers to spend his time in the print room of the Louvre, where He had already made copies of the engravings, and visit the studios of painting Barrias Felix and Louis Lamothe. In 1855, he entered the Ecole des Beaux-Arts and began Lamothe to formally study with a disciple Ingres.
No need to study and compete for the Prix de Rome in 1856, left for Italy, first visiting his family in Naples. In October 1857 he visited Rome where he met Gustave Moreau, and an influential figure of eight years his senior. They became friends and visited Florence together between June and August 1858.
From 1865 to1870 Degas exhibited each year at the Salon de l'Automobile in Paris. He also befriended Berthe Morisot and Edouard Manet, and the summer of 1869, he joined Manet in Boulogne and Saint-Valery-en Caux, where he painted landscapes. Of all the artists of the time, is, without doubt, with which Manet had more affinities. Both were under the most Impressionist circle, and both were from wealthy families so they can also meet in social circles of his family.
Events tragedy of the Franco-Prussian and Commune of Paris in 1870-1871 years, with a long stay in Louisiana to visit his family since October 1872 March 1873 marked a break and both a turning point in his career. With the outbreak of war joined the National Guard with his friend Manet and many other artists, but extreme cold during the siege of Paris affected his health and bad at the beginning of the Commune of Paris, went to rest in the Orne with family friends Valpincon.
It was during the 1870s that Degas acquired his reputation as a painter of dancers. The reasons for his interest in dance were numerous and varied, but questions raised by his enthusiasm throughout the music and opera. The interior of the opera were also many scenic attractions - the possibility of unusual views of the scene from the balcony or the orchestra pit, contrasts between light and darkness, illusion and reality, beauty and banality.
Following the theme of the dance was what attracted most attention races. Racecourses were a new phenomenon in France, are introduced in England in the 19th century. The Longchamp stadium opened in 1857 and was heard what inspired Degas, Manet and, later, Toulouse-Lautrec. The exclusive Jockey Club was inaugurated in 1833 and attracts over for the same upper classes who have participated the Paris Opera.
His first solo exhibition held at Durand-Ruel Gallery in 1892, consisted of an extraordinary series of monotypes semi-abstract with better color representing mysterious landscapes. In addition to landscapes, his style will not change dramatically thereafter, although the subjects tend to grow in size - as before, for example, was a dance together, can now be focused on the numbers two or three in foreground. This was, without doubt, to some extent because of his poor eyesight.
Degas was another reason for the mysterious power of his works later: "One thing is to copy what you see, but it is much better to draw what can be seen in the memory. It is a transformation in which imagination collaborates with memory ... where his memories and fantasies are liberated from the tyranny of nature. "
Degas continued to fight against blindness and worked until about 1912, when he was forced to leave his apartment where he lived for a quarter century and move to a location more convenient on the Boulevard de Clichy. But it was a terrible experience which he never recovered and, despite the enormous success International and the high prices commanded by his works from 1900, he became sad and indifferent to fame. He died September 27 1917 during the war, causing his death almost unnoticed in the world - although perhaps a bit to the man who said: "I want to be famous, but unknown! He was buried in the cemetery of Montmartre.
Learn more about Edgar Degas and find other biographical writing by Bianca Tavares at Vintage Art.
Of the following, which is an orchestral work by Berlioz?
Of the following, which is an orchestral work by Berlioz? A. Harold in Italy b. Romeo and Julieta C. d. Symphonie Fantastique Symphony Italian?
Although Berlioz has created numerous symphonies based in Italy, his best guess is (c) Symphony Italian. The responses supported: (a) Niccolò Paganini (1782-1840) encourages Berlioz (1803-1869) to write Harold in Italy. The two met after a concert of Berlioz's work by Narcisse Girard at December 22, 1833, three years after the premiere of Berlioz's Symphonie Fantastique. Paganini had acquired an excellent viola Stradivarius - "But I'm not good music. Would you write a viola? Only you can trust for this task. "(B) The composition the dramatic symphony Romeo and Juliet in 1839 was made possible by the generous donation of 20,000 francs Berlioz Paganini, after the great virtuoso had knelt before Berlioz in public after a concert at the Conservatory December 16, 1838 and hailed him as the heir of Beethoven. Work conducted for first time in three concerts conducted by Berlioz at the same Conservatory, November 24, December 01 and December 15, 1839, before an audience including a large Part of the Parisian intelligentsia of the time and contained no other than Richard Wagner's Tristan and Isolde, which in 1859 had obvious signs of impact the music in him. The work has not reached its final form until several years after its composition: after a performance of the work complete in Vienna January 2, 1846, the first since 1839 and the first overseas, Berlioz decided to make several cuts and changes major in the prologue, the Queen Mab Scherzo, and the final total score was not published until 1847. (D) An episode in the life of the artist Opus 14, usually known by its subtitle Symphonie fantastique (Fantasy Symphony) is a symphony written by French composer Hector Berlioz in 1830. It is widely considered one of the most important and representative of the early Romantic period, and remains very popular with the public concert in the world whole. The first performance took place at the Paris Conservatoire in December 1830. The work has been revised several times between 1831 and 1845.
David Lanz - Dancing on the Berlin Wall (Orchestral Version)
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The Most Relaxing Classical Music in the Universe List Price: $11.98 Sale Price: $8.15 Used From: $7.74 Average Rating:  |
Music Tracks
Binding: Audio CDArtist: Maurice Ravel
Format:
Number of Discs: 2
Manufacturer: Denon Records
Original Release Date: 2003-01-01
Tracks Disc Number: 2
Tracks:
- Canon - Pachelbel
- Eine Kleine Nachtmusik-Andante - Mozart
- Fur Elise - Beethoven
- String Quartet #1 - Tchaikovsky
- Clair De Lune - Debussy
- Idyl for Strings - Adagio - Janacek
- Adagio in G Mnor - Albinoni
- The Girl with the Flaxen Hair - Debussy
- Air on a G String - Bach
- Greensleeves - Vaughn Williams
- Largo from Xerxes - Handel
- Prelude in C - Bach
- The Planets - Venus - Holst
- Goldberg Variations - Aria - Bach
- Adagio for Strings - Barber
- Prelude to the Afternoon of a Faun - Debussy
- Fur Elise - Beethoven
- Holberg Suite - Sarabande - Grieg
- Valse Triste - Sibelius
- Concerto in F Minor - Largo - Bach
- Serenade for String - Moderato - Dvorak
- Liebestraume - Liszt
- Ave Maria - Bach/Bounod
- Etude in E Major - Chopin
- String Quartet No 2 - Nocturne - Borodin
- Arabesque - Debussy
- Pavane for Dead Princess - Ravel
- The Four Seasons - Largo - Vivaldi
- Gymno0pedie 1 - Satie
- Moonlight Sonata - Adagio - Beethoven
- Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"
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Works of Igor Stravinsky List Price: $33.98 Sale Price: $22.25 Used From: $22.00 Average Rating:  |
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2007 Issue of 22 CDs Filled with the Works of the Great Composer Drawn from the Vaults of Columbia Records. |
Music Tracks
Binding: Audio CDArtist: Stravinsky
Format: Box set
Number of Discs: 22
Manufacturer: Sony/Bmg Int'l
Original Release Date:
Tracks Disc Number: 22
Tracks:
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Introduction
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Kashchei's enchanted garden
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The Firebird appears, pursued by Ivan Tsarevich
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Dance of the Firebird
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Ivan Tsarevich captures the Firebird
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The Firebird's entreaty
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The appearance of the thirteen enchanted princesses
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The princesses' game with apples of gold
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The sudden appearance of Ivan Tsarevich
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The Princesses' Round
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Dawn (Ivan Tsarevich enters Kashchei's palace)
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The sound of enchanted bells; monsters appear, Kashchei's
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The arrival of Kaschchei the Immortal
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Kashchei's dialogue with Ivan Tsarevich
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The princesses intercede
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. The appearance of the Firebird
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Kashchei's followers dance under the Firebird's spell
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Infernal dance of Kaschei's subjects
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Lullaby (The Firebird)
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Kashchei awakens
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 1. Death of Kaschei - profound darkness
- L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Scene 2. Kashchei's spells are broken; his palace disappears, the s
- Scherzo à la Russe, for orchestra
- Scherzo fantastique, for orchestra, Op. 3
- Fireworks (Feu D'artifice), fantasy for orchestra, Op. 4
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 1. No. 1. The Shrove-tide Fair
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 1. No. 2. The Crowds
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 1. No. 3. The Charlatan's Booth
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 1. No. 4. Russian Dance
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 2. Petrushka's Room
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 3. No. 1. The Moor's Room
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 3. No. 2. Dance of the Ballerina
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 3. No. 3. Waltz (Ballerina and Moor)
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 1. The Shrove-tide Fair (near evening)
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 2. Dance of the Wet Nurses
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 3. Dance of the Peasant and the Bear
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 4. Dance of the Gypsy Girls
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 5. Dance of the Coachmen and Grooms
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 6. The Masqueraders
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Scene 4. No. 7. Conclusion (Petrushka's Death)
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Introduction
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, The Augurs of Spri
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Mock Abduction
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Spring Round Dance
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Games of the Rival
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Procession of the
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Adoration of the E
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part One: The Adoration of the Earth, Dance of the Earth
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Introduction
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Mystical Circles of the Young G
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Glorification of the Chosen Vic
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Summoning of the Ancestors
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Ritual of the Ancestors
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Part Two: The Sacrifice, Sacrificial Dance (The Chosen V
- Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion: Part One, Scene 1. The Bride's C
- Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion: Part One, Scene 2. At the Brideg
- Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion: Part One, Scene 3. The Bride's D
- Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion: Part Two, Scene 4. The Wedding F
- Renard, opera-ballet (burlesque) for 4 vocal soloists & chamber orchestra
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: The Soldier's March
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 1. Airs by a Stream
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. Pastorale
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. The Royal March
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. The Little Concert
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. Three Dances (Tango, Waltz , Ragtime)
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. The Devil's Dance
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. The Great Chorale
- L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Scene 2. Triumphal March of the Devil
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 1. The Birth of Apollo. Largo - Allegro - Tempo 1
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Variation d'Apollon (Apollon et les Muses)
- Apollon musagète, ballet in 2 scenes for string orchestra: Pas d'action (Apollon et les trois Muses: Calliope, Polymnie, et Terpsicho
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Variation de Calliope (l'Alexandrin) Allegretto
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Variation de Polymnie. Allegro
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Variation de Terpsichore. Allegretto
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Variation d'Apollon. Lento
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Pas de deux (Apollon et Terpsichore) Adagio
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Coda (Apollon et les Muses) Vivo - Tempo sostenuto - Agitato
- Apollon musagète, ballet in 2 scenes for string orchestra: Scene 2. Apothéose. Largo et tranquillo
- Agon, ballet for 12 dancers & orchestra: Pas de quatre
- Agon, ballet for 12 dancers & orchestra: Double Pas de quatre
- Agon, ballet for 12 dancers & orchestra: Triple Pas de quatre
- Agon, ballet for 12 dancers & orchestra: Prélude
- Agon, ballet for 12 dancers & orchestra: First Pas de trois. Saraband Step
- Agon, ballet for 12 dancers & orchestra: First Pas de trois. Gaillarde
- Agon, ballet for 12 dancers & orchestra: First Pas de trois. Coda
- Agon, ballet for 12 dancers & orchestra: First Pas de trois. Interlude
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Bransle simple
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Bransle gay
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Bransle double
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Interlude
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Pas de deux
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Coda
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Four Duos
- Agon, ballet for 12 dancers & orchestra: Second Pas de trois. Four trios
- Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: First Deal
- Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: Second Deal
- Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: Third Deal
- Scènes de ballet, for orchestra: Introduction
- Scènes de ballet, for orchestra: Danses (Corps de ballet & Ballerine)
- Scènes de ballet, for orchestra: Pantomime
- Scènes de ballet, for orchestra: Pas de deux
- Scènes de ballet, for orchestra: Pantomime
- Scènes de ballet, for orchestra: Variations: Danseur & Ballerine
- Scènes de ballet, for orchestra: Pantomime
- Scènes de ballet, for orchestra: Danses (Corps de ballet)
- Scènes de ballet, for orchestra: Apothéose
- Bluebird Pas-de-deux, transcription for chamber orchestra (after Tchaikovsky: Sleeping Beauty): Adagio
- Bluebird Pas-de-deux, transcription for chamber orchestra (after Tchaikovsky: Sleeping Beauty): Variation 1
- Bluebird Pas-de-deux, transcription for chamber orchestra (after Tchaikovsky: Sleeping Beauty): Variation 2
- Bluebird Pas-de-deux, transcription for chamber orchestra (after Tchaikovsky: Sleeping Beauty): Coda
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 1. Prologue
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 2. A Village Fête
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. At the Mill
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. Pas de deux
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. Adagio
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. Variation
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. Coda
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 3. Scene
- Le baiser de la fée (The Fairys Kiss), ballet in 4 scenes for orchestra: Scene 4. Épilogue: The Lullaby of the Land beyond Time and
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Overture
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Serenata
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Scherzino
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Tarantella
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Gavotte With Two Variations
- Orpheus, ballet in 3 scenes for orchestra: Scene 1: Orphée
- Orpheus, ballet in 3 scenes for orchestra: Scene 1: Air de danse
- Orpheus, ballet in 3 scenes for orchestra: Scene 1: Dance of the Angel of Death
- Orpheus, ballet in 3 scenes for orchestra: Scene 1: Interlude
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: The Furies
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: Air de danse - Interlude - Air de danse
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: Pas d'action
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: Pas de deux
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: Interlude
- Orpheus, ballet in 3 scenes for orchestra: Scene 2: Pas d'action
- Orpheus, ballet in 3 scenes for orchestra: Scene 3: Apothéose d'Orphée
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 1. No. 1. The Shrove-tide Fair
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 1. No. 2. The Crowds
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 1. No. 3. The Charlatan's Booth
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 1. No. 4. Russian Dance
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 2. Petrushka's Room
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 1. The Shrove-tide Fair (near evening)
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 2. Dance of the Wet Nurses
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 3. Dance of the Peasant and the Bear
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 4. Dance of the Gypsy Girls
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 5. Dance of the Coachmen
- Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version): Scene 4. No. 6. The Masqueraders
- Pulcinella, suite for orchestra: 1. Sinfonia (Ouverture)
- Pulcinella, suite for orchestra: 2. Serenata
- Pulcinella, suite for orchestra: 3. a) Scherzino
- Pulcinella, suite for orchestra: 3. b) Allegro
- Pulcinella, suite for orchestra: 3. c) Andantino
- Pulcinella, suite for orchestra: 4. Tarantella
- Pulcinella, suite for orchestra: 5. Toccata
- Pulcinella, suite for orchestra: 6. Gavotta con due variazioni
- Pulcinella, suite for orchestra: 7. Vivo (Duetto)
- Pulcinella, suite for orchestra: 8. a) Minuetto
- Pulcinella, suite for orchestra: 8. b) Finale
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Introduction
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Prelude and Dance of the Firebird
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Variations (The Firebird)
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Pantomime 1
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Pas de deux (The Firebird and Ivan Tsarevitch)
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Pantomime 2
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Scherzo. Dance of the Princesses
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Pantomime 3
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Rondo (Corovod)
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Infernal Dance
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Lullaby (The Firebird)
- L'oiseau de feu (The Firebird), ballet suite for orchestra: Final Hymn
- Symphony in E flat major, Op. 1: 1. Allegro moderato
- Symphony in E flat major, Op. 1: 2. Scherzo. Allegretto
- Symphony in E flat major, Op. 1: 3. Largo
- Symphony in E flat major, Op. 1: 4. Finale. Allegro molto
- Apollon musagète, ballet in 2 scenes for string orchestra: rehearsal extract
- The Sleeping Beauty, ballet, Op. 66: rehearsal extract
- Petites Chansons (3), for voice & chamber orchestra ('Souvenir de mon enfance'): rehearsal extract
- Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: rehearsal extract
- Concerto for piano & wind instruments: rehearsal extract
- Symphony in C, for orchestra in C major: rehearsal extract
- Stravinsky in His Own Words
- Symphony in Three Movements, for orchestra: 1. Overture. Allegro
- Symphony in Three Movements, for orchestra: 2. Andante - Interlude: L'istesso tempo
- Symphony in Three Movements, for orchestra: 3. Con moto
- Symphony in C, for orchestra in C major: 1. Moderato alla breve
- Symphony in C, for orchestra in C major: 2. Larghetto concertante
- Symphony in C, for orchestra in C major: 3. Allegretto
- Symphony in C, for orchestra in C major: 4. Largo - Tempo giusto, alla breve
- Symphony of Psalms, for chorus & orchestra: Part 1
- Symphony of Psalms, for chorus & orchestra: Part 2
- Symphony of Psalms, for chorus & orchestra: Part 3
- Concerto for piano & wind instruments: 1. Largo. Allegro - Maestoso
- Concerto for piano & wind instruments: 2. Largo
- Concerto for piano & wind instruments: 3. Allegro
- Movements (5), for piano & orchestra: 1. Eighth note = 110
- Movements (5), for piano & orchestra: 2. Eighth note = 52
- Movements (5), for piano & orchestra: 3. Eighth note = 72
- Movements (5), for piano & orchestra: 4. Eighth note = 80
- Movements (5), for piano & orchestra: 5. Eighth note = 104
- Capriccio, for piano & orchestra: 1. Presto
- Capriccio, for piano & orchestra: 2. Andante rapsodico
- Capriccio, for piano & orchestra: 3. Allegro capriccioso ma tempo giusto
- Violin Concerto in D major: 1. Toccata
- Violin Concerto in D major: 2. Aria 1
- Violin Concerto in D major: 3. Aria 2
- Violin Concerto in D major: 4. Capriccio
- Greeting Prelude, for orchestra
- Suite No. 1, for chamber orchestra: 1. Andante
- Suite No. 1, for chamber orchestra: 2. Napolitana
- Suite No. 1, for chamber orchestra: 3. Española
- Suite No. 1, for chamber orchestra: 4. Balalaika
- Suite No. 2, for chamber orchestra: 1. Marche
- Suite No. 2, for chamber orchestra: 2. Valse
- Suite No. 2, for chamber orchestra: 3. Polka
- Suite No. 2, for chamber orchestra: 4. Galop
- Concerto for chamber orchestra in E flat major ('Dumbarton Oaks'): 1. Tempo giusto
- Concerto for chamber orchestra in E flat major ('Dumbarton Oaks'): 2. Allegretto
- Concerto for chamber orchestra in E flat major ('Dumbarton Oaks'): 3. Con moto
- Norwegian Moods (4), for orchestra: 1. Intrada
- Norwegian Moods (4), for orchestra: 2. Song
- Norwegian Moods (4), for orchestra: 3. Wedding Dance
- Norwegian Moods (4), for orchestra: 4. Cortège
- Circus Polka, for orchestra ('for a young elephant')
- Concerto in D, for string orchestra in D major ('Basel Concerto'): 1. Vivace
- Concerto in D, for string orchestra in D major ('Basel Concerto'): 2. Arioso. Andantino
- Concerto in D, for string orchestra in D major ('Basel Concerto'): 3. Rondo. Allegro
- Instrumental Miniatures (8), for 15 players: 1. Andantino
- Instrumental Miniatures (8), for 15 players: 2. Vivace
- Instrumental Miniatures (8), for 15 players: 3. Lento
- Instrumental Miniatures (8), for 15 players: 4. Allegretto
- Instrumental Miniatures (8), for 15 players: 5. Moderato alla breve
- Instrumental Miniatures (8), for 15 players: 6. Tempo di Marcia
- Instrumental Miniatures (8), for 15 players: 7. Larghetto
- Instrumental Miniatures (8), for 15 players: 8. Tempo di Tango
- Etudes (4) for orchestra: 1. Danse
- Etudes (4) for orchestra: 2. Excentrique
- Etudes (4) for orchestra: 3. Cantique
- Etudes (4) for orchestra: 4. Madrid
- Præludium, for jazz band
- Concertino, for 12 instruments
- Octet for wind instruments: 1. Sinfonia
- Octet for wind instruments: 2. Tema con variazioni
- Octet for wind instruments: 3. Finale
- Ragtime, for 11 instruments
- Tango, for chamber orchestra
- Septet, for clarinet, bassoon, horn, piano, violin, viola & cello: 1. Eighth note = 88
- Septet, for clarinet, bassoon, horn, piano, violin, viola & cello: 2. Passacaglia
- Septet, for clarinet, bassoon, horn, piano, violin, viola & cello: 3. Gigue
- Pastorale, song without words for violin & woodwind quartet
- Ebony Concerto, for clarinet & jazz band: 1. Allegro Moderato
- Ebony Concerto, for clarinet & jazz band: 2. Andante
- Ebony Concerto, for clarinet & jazz band: 3. Moderato; Con moto
- Symphonies of Wind Instruments, for 23 wind instruments (1947 version)
- Duo Concertante, for violin & piano: 1. Cantilène
- Duo Concertante, for violin & piano: 2. Eclogue 1
- Duo Concertante, for violin & piano: 3. Eclogue 2
- Duo Concertante, for violin & piano: 4. Gigue
- Duo Concertante, for violin & piano: 5. Dithyrambe
- Serenade for piano in A major: 1. Hymne
- Serenade for piano in A major: 2. Romanza
- Serenade for piano in A major: 3. Rondoletto
- Serenade for piano in A major: 4. Cadenza finale
- Concerto for 2 solo pianos: 1. Con moto
- Concerto for 2 solo pianos: 2. Notturno. Adagietto
- Concerto for 2 solo pianos: 3. Quattro variazioni
- Concerto for 2 solo pianos: 4. Preludio e fuga
- Piano-Rag-Music, for piano
- Sonata for 2 pianos: 1. Moderato
- Sonata for 2 pianos: 2. Theme with Variations
- Sonata for 2 pianos: 3. Allegretto
- Sonata for piano: 1. Eighth Note = 112
- Sonata for piano: 2. Adagietto
- Sonata for piano: 3. Eighth Note = 112
- Le Rossignol, opera (lyric tale) in 3 acts: Act 1. Introduction
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Entr'acte: Breezes
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Chinese March
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Song Of The Nightingale
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. The Courtiers
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Three Japanese Envoys
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Performance of the Mechanical Nightingale
- Le Rossignol, opera (lyric tale) in 3 acts: Act 2. Conclusion, Larghetto
- Le Rossignol, opera (lyric tale) in 3 acts: Act 3. Prelude
- Le Rossignol, opera (lyric tale) in 3 acts: Act 3. A Room in the Palace of the Emperor
- Le Rossignol, opera (lyric tale) in 3 acts: Act 3. The Return of the Nightingale
- Le Rossignol, opera (lyric tale) in 3 acts: Act 3. Solemn Procession
- Le Rossignol, opera (lyric tale) in 3 acts: Act 3. The Emperor's Recovery
- Mavra, opera buffa in 1 act
- Faun & Shepherdess, song suite (3) for voice & orchestra, Op. 2: 1. The Shepherdess
- Faun & Shepherdess, song suite (3) for voice & orchestra, Op. 2: 2. The Faun
- Faun & Shepherdess, song suite (3) for voice & orchestra, Op. 2: 3. The Torrent
- Poems of Verlaine (2), song cycle for voice & piano or orchestra, Op. 9: The white moon shines in the woods
- Poems of Verlaine (2), song cycle for voice & piano or orchestra, Op. 9: Sleep
- Poems of Balmont (2), for voice & chamber orchestra: 1. The Flower
- Poems of Balmont (2), for voice & chamber orchestra: 2. The Dove
- Japanese Lyrics (3), song cycle for voice & piano (or chamber orchestra): 1. Akahito
- Japanese Lyrics (3), song cycle for voice & piano (or chamber orchestra): 2. Mazatsumi
- Japanese Lyrics (3), song cycle for voice & piano (or chamber orchestra): 3. Tsaraiuki
- Petites Chansons (3), for voice & chamber orchestra ('Souvenir de mon enfance'): 1. The Magpie
- Petites Chansons (3), for voice & chamber orchestra ('Souvenir de mon enfance'): 2. The Rock
- Petites Chansons (3), for voice & chamber orchestra ('Souvenir de mon enfance'): 3. The Jackdaw
- Pribaoutki (4), song cycle for voice & 8 instruments or piano: 1. Uncle Armand
- Pribaoutki (4), song cycle for voice & 8 instruments or piano: 2. The Oven
- Pribaoutki (4), song cycle for voice & 8 instruments or piano: 3. The Colonel
- Pribaoutki (4), song cycle for voice & 8 instruments or piano: 4. The Old Man and the Hare
- Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano: 1. On The Stove
- Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano: 2. At Home
- Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano: 3. Bye bye
- Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano: 4. The Cat has...
- Russian Peasant Songs (4), for female chorus & 4 horns ('The Saucers'): 1. On Saints' Day in Chigisakh
- Russian Peasant Songs (4), for female chorus & 4 horns ('The Saucers'): 2. Ovsen
- Russian Peasant Songs (4), for female chorus & 4 horns ('The Saucers'): 3. The Pike
- Russian Peasant Songs (4), for female chorus & 4 horns ('The Saucers'): 4. Master Portly
- Songs (4) for voice, flute, harp & guitar: 1. The Drake
- Songs (4) for voice, flute, harp & guitar: 2. A Russian Spiritual
- Songs (4) for voice, flute, harp & guitar: 3. Geese and Swans
- Songs (4) for voice, flute, harp & guitar: 4. Tilim-bom
- Songs (3) from William Shakespeare, for voice, flute, clarinet & viola: 1. Music to hear
- Songs (3) from William Shakespeare, for voice, flute, clarinet & viola: 2. Full fathom five
- Songs (3) from William Shakespeare, for voice, flute, clarinet & viola: 3. When daisies pied
- In Memoriam Dylan Thomas, dirge-canons & song for voice, string quartet & 4 trombones: Dirge-Canons
- In Memoriam Dylan Thomas, dirge-canons & song for voice, string quartet & 4 trombones: Do not go gentle into that good night
- In Memoriam Dylan Thomas, dirge-canons & song for voice, string quartet & 4 trombones: Dirge-Canons
- Elegy for J. F. K., for voice & 3 clarinets
- The Owl and the Pussy-cat, for voice & piano
- Tilim-bom, transcription for voice & orchestra (after Histoires pour enfants No. 1)
- The Rake's Progress, opera in 3 acts: Act One, Scene One, The Garden of Truelove's house in the country. Prelude
- The Rake's Progress, opera in 3 acts: Act One, Scene One, The Garden of Truelove's house in the country. 'The woods are green'
- The Rake's Progress, opera in 3 acts: Act One, Scene One, The Garden of Truelove's house in the country. 'Here I stand'
- The Rake's Progress, opera in 3 acts: Act One, Scene One, The Garden of Truelove's house in the country. 'Tom Rakewell?'
- The Rake's Progress, opera in 3 acts: Act One, Scene One, The Garden of Truelove's house in the country. 'Farewell for now'
- The Rake's Progress, opera in 3 acts: Act One, Scene Two, Mother Goose's Brothel, London. 'With air commanding'
- The Rake's Progress, opera in 3 acts: Act One, Scene Two, Mother Goose's Brothel, London. 'Come, Tom'
- The Rake's Progress, opera in 3 acts: Act One, Scene Two, Mother Goose's Brothel, London. 'Love too frequently betrayed' (Cavatina)
- The Rake's Progress, opera in 3 acts: Act One, Scene Two, Mother Goose's Brothel, London. 'The sun is bright'
- The Rake's Progress, opera in 3 acts: Act One, Scene Three, Autumn. The garden of Truelove's house in the country. 'No word from Tom'
- The Rake's Progress, opera in 3 acts: Act One, Scene Three, Autumn. The garden of Truelove's house in the country. 'I'll go to him' (
- The Rake's Progress, opera in 3 acts: Act Two, Scene One, The morning room of Rakewell's house in a London square. 'Vary the song, O
- The Rake's Progress, opera in 3 acts: Act Two, Scene One, The morning room of Rakewell's house in a London square. 'Master, are you a
- The Rake's Progress, opera in 3 acts: Act Two, Scene One, The morning room of Rakewell's house in a London square. 'My tale shall be
- The Rake's Progress, opera in 3 acts: Act Two, Scene Two, The street in front of Rakewell's house. 'How strange!'
- The Rake's Progress, opera in 3 acts: Act Two, Scene Two, The street in front of Rakewell's house. 'Anne, Here!' (Duet)
- The Rake's Progress, opera in 3 acts: Act Two, Scene Two, The street in front of Rakewell's house. 'Could it then have been known' (T
- The Rake's Progress, opera in 3 acts: Act Two, Scene Three, The morning room in Rakewell's house. 'As I was saying'
- The Rake's Progress, opera in 3 acts: Act Two, Scene Three, The morning room in Rakewell's house. 'You! O Nick! I've had the stranges
- The Rake's Progress, opera in 3 acts: Act Three, Scene One, The morning room in Rakewell's house. 'What Curious phenomena...'
- The Rake's Progress, opera in 3 acts: Act Three, Scene One, The morning room in Rakewell's house. 'Aha!'
- The Rake's Progress, opera in 3 acts: Act Three, Scene One, The morning room in Rakewell's house. 'Sold! Annoyed! I've caught you Thi
- The Rake's Progress, opera in 3 acts: Act Three, Scene One, The morning room in Rakewell's house. 'I go to him.'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Two, A starless night. A Churchyard. Prelude
- The Rake's Progress, opera in 3 acts: Act Three, Scene Two, A starless night. A Churchyard. 'How dark and dreadful is this place'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Two, A starless night. A Churchyard. 'Very well, then, my dear'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Two, A starless night. A Churchyard. 'I burn! I freeze!'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Three, Bedlam. 'Prepare yourselves, heroic shades.'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Three, Bedlam. 'There he is. Have no fear. He is not dangerous.'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Three, Bedlam. 'Gently, little boat' (Lullaby)
- The Rake's Progress, opera in 3 acts: Act Three, Scene Three, Bedlam. 'Where art thou, Venus?'
- The Rake's Progress, opera in 3 acts: Act Three, Scene Three, Bedlam. Epilogue 'Good people, just a moment'
- Oedipus Rex, opera-oratorio in 2 acts: Prologue - Act 1
- Oedipus Rex, opera-oratorio in 2 acts: Act 2
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: Prelude
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: Melodrama
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: The Building of the Ark (Choreography)
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: The Catalogue of the Animals
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: The Comedy (Noah and his wife)
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: The Flood (Choreography)
- The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: The Covenant of the Rainbow
- Perséphone, melodrama in 3 parts, for reciter, vocal soloist, double chorus & orchestra: 1. Persephone Abducted
- Perséphone, melodrama in 3 parts, for reciter, vocal soloist, double chorus & orchestra: 2. Persephone in the Underworld
- Perséphone, melodrama in 3 parts, for reciter, vocal soloist, double chorus & orchestra: 3. Persephone Restored
- Ode, elegiacal chant for orchestra: 1. Eulogy
- Ode, elegiacal chant for orchestra: 2. Eclogue
- Ode, elegiacal chant for orchestra: 3. Epitaph
- Monumentum pro Gesualdo di Venosa ad CD annum, for orchestra: 1. Asciugate i begli occhi. Madrigale 14, Libro quinto
- Monumentum pro Gesualdo di Venosa ad CD annum, for orchestra: 2. Ma tu, cagion di quella. Madrigale 18, Libro quinto
- Monumentum pro Gesualdo di Venosa ad CD annum, for orchestra: 3. Belta poi che t'assenti. Madrigale 2, Libro sesto
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Choral
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Variation 1 (In canone all'Ottava)
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Variation 2 (Alio modo canone alla
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Variation 3 (In canone alla Settim
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Variation 4 (In canone all' Ottava
- Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769: Variation 5 (L'altra sorte del can
- King of the Stars (Zvezdoliki), cantata for male chorus & orchestra
- Ave Maria, for chorus a cappella (after Bogoroditse D'vo)
- Credo, for chorus
- Pater Noster, for chorus
- Cantata, for 2 soloists, female chorus & chamber orchestra: A Lyke-Wake Dirge (Versus 1. Prelude)
- Cantata, for 2 soloists, female chorus & chamber orchestra: Ricercar 1 (Soprano) The maidens came
- Cantata, for 2 soloists, female chorus & chamber orchestra: A Lyke-Wake Dirge (Versus 2. 1st Interlude)
- Cantata, for 2 soloists, female chorus & chamber orchestra: Ricercar 2 (Tenor) Tommorrow shall be (Sacred History)
- Cantata, for 2 soloists, female chorus & chamber orchestra: A Lyke-Wake Dirge (Versus 3. 2nd Interlude)
- Cantata, for 2 soloists, female chorus & chamber orchestra: Westron Wind (Soprano and Tenor)
- Cantata, for 2 soloists, female chorus & chamber orchestra: A Lyke-Wake Dirge (Versus 4. Postlude)
- Mass, for chorus & double wind quintet: Kyrie
- Mass, for chorus & double wind quintet: Gloria
- Mass, for chorus & double wind quintet: Credo
- Mass, for chorus & double wind quintet: Sanctus
- Mass, for chorus & double wind quintet: Agnus Dei
- Babel, cantata for reciter, male chorus & orchestra (for collaborative cantata 'Genesis Suite')
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: Dedicatio
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: 1. Euntes in Mundum
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: 2. Surge, aquilo
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: 3. Ad Tres Virtutes Hortationes (Caritas
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: 4. Jesus autem ait illi
- Canticum Sacrum ad honorem Sancti Marci nominis, cantata for 2 soloists, chorus & orchestra: 5. Illi autem profecti
- Introitus: T. S. Eliot in Memoriam, for male chorus & chamber ensemble
- A Sermon, a Narrative & a Prayer, cantata for 2 vocal soloists, reciter, chorus & orchestra: 1. A Sermon (from St. Paul)
- A Sermon, a Narrative & a Prayer, cantata for 2 vocal soloists, reciter, chorus & orchestra: 2. A Narrative, The Stoning of St. Steph
- A Sermon, a Narrative & a Prayer, cantata for 2 vocal soloists, reciter, chorus & orchestra: 3. A Prayer (from Thomas Dekker)
- Anthem: The Dove Descending Breaks the Air, for chorus
- Threni: id est Lamentationes Jerimiæ Prophetæ, for 6 vocal soloists, chorus & orchestra: Incipit
- Threni: id est Lamentationes Jerimiæ Prophetæ, for 6 vocal soloists, chorus & orchestra: De Elegia Prima
- Threni: id est Lamentationes Jerimiæ Prophetæ, for 6 vocal soloists, chorus & orchestra: De Elegia Terita: 1. Querimonia / 2. Sensus
- Threni: id est Lamentationes Jerimiæ Prophetæ, for 6 vocal soloists, chorus & orchestra: De Elegia Quinta: Oratorio Jeremiae Propheta
- Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra
- Danses concertantes, for chamber orchestra
- Epitaphium für das Grabmal des Prinzen Max Egon zu Fürstenberg, for flute, clarinet & harp
- Double Canon, for string quartet ('Raoul Dufy in Memoriam')
- Abraham and Isaac, sacred ballad for voice & chamber orchestra
- Variations: Aldous Huxley in Memoriam, for orchestra
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 1. Prelude
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 2. Exaudi
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 3. Dies Irae
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 4. Tuba mirum
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 5. Interude
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 6. Rex tremendae
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 7. Lacrimosa
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 8. Libera me
- Requiem Canticles, for 2 vocal soloists, chorus & orchestra: 9. Postlude
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Robin Hood Prince of Thieves OST by Michael Kamen | |
0 Bid | US $.01 | 1h 8m |
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Falling Into You Dion Celine CD 1996 | |
0 Bid | US $.99 | 2h 8m |
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No Need To Argue Cranberries The CD 1994 | |
0 Bid | US $.99 | 2h 20m |
![Roc A Fella Presents Teairra Mari PA] Mari Teair](http://thumbs.ebaystatic.com/pict/400150179425_0.jpg) |
Roc A Fella Presents Teairra Mari PA] Mari Teair | |
0 Bid | US $.99 | 2h 24m |
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Tyranny For You Front 242 CD 1991 | |
0 Bid | US $.99 | 2h 32m |
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String Quartet
July 23rd, 2010
When guests arrive for your wedding, should be welcomed by a beautiful environment and a comfortable environment, and appropriate background music for the wedding. These wedding songs are heard before the official start of the ceremony, which is usually presented by the Prime procession or parade of parents (who will be explained later EzineArticles here). Of course, Metallica and Black Eyed Peas are probably not what you want to play, but that does not mean you have to use music that your guests to sleep!
Many people go the music route classical string quartet or trio of artists such as Bach, Brahms, etc. Another way would be typical piano, guitar or other instrument playing the same solo. If this is what you've always dreamed of hearing before your marriage, then proceed to him. Many couples use classical music for your ceremony or playing solo classical instrument. These are good but the setting for the wedding today, people spread their wings and branch out!
I recently had a string quartet arrangements touching love song by the Beatles, Journey and Dave Matthews. Of course, if for the results of these songs, but they were free, as an investment for your group. There are also modern pianists like Steve Siu, who recently extended his versions of contemporary songs by Toni Braxton, Josh Groban and Coldplay same! It is a harpist who has called Hillary Stagg Electric has good pre-ceremony music on CD or iTunes. Another popular artist is Enya. I know, seems a bit too early 90s but always bring new things to work Ideal for before the ceremony.
Finally, collection of love songs old and new, which works well if they are kept at the appropriate level. Almost all artists in the world recorded a love song for what should not be too difficult to find artists 5-10 work for you. Add to your list of 20 songs to your DJ or put on a disk and you're ready to go.
The marriage songs you choose to pre-ceremony music should reflect your ideas, style and taste. Do not be afraid to speak. It is After all, your wedding. Choose your wedding song. His musical ideas. Be yourself and your guests will love it!
James is a southern California DJ/MC/Host and Wedding Planner and loves helping his clients with their wedding planning and wedding music. He can be found at Wedding Songs and Music Ideas.
I need a name for a string quartet?
Need a name for a string quartet from high school. We are concerts and quartet in high school lot. Violin Violin 1-2, Viola Cello Girl Girl-Girl (Me)-Guy
Octavius Quarto, elementary four lines, only a few unusual options. Or if you really want may include intellectual leader TS Elliot poem, Four Quartets, which actuallity has little to do with the music, but it makes you Smart Sound. 
What are the interests of their group, what is your school mascot, what are the things that your group common? It is also a good way to get a name.
Legend of Zelda Medley in String Quartet Form
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1966 Alard String Quartet Photo Booking Print Ad (Music Memorabilia) (48246) Used From: $12.99 |
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An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board. |
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1966 Lyric String Quartet Photo Booking Print Ad (Music Memorabilia) (48242) Used From: $12.99 |
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An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board. |
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Brass and String Quintet and Brass Quartet Set by Lori McPhee 12"x24" Art Print Poster List Price: $66.00 Sale Price: $49.45 |
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Brass and String Quintet and Brass Quartet Set by Lori McPhee Image Sizes 12" x 24" Paper Sizes 15" x 24" Fine Art Reproductions on High Quality Art Paper. Retails for $66.00 or more. |
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Silence Is Sexy by Einstürzende Neubauten CD Jun 2 | |
0 Bid | US $3.99 | 15m |
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GRILLER String Q t DVORAK The NIGER Orig Decca LXT | |
0 Bid | US $69.00 | 30m |
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Mista by Mista Cassette Jul 1996 EastWest | |
0 Bid | US $.99 | 41m |
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4 CD Sentimental Songs That Will Live Forever READERS | |
0 Bid | US $12.99 | 43m |
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Zooropa by U2 CD Jul 1993 Island | |
0 Bid | US $.99 | 45m |
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